'Civic Award Winners 2016 for outstanding contribution to Arts and Entertainment'
Seprewa - Ghanaian Highlife Roots Music, featuring some of the finest Ghanain musicians
Jo Jo Yates - Seprewa, vocals & percussion
Alfred kari Bannerman - Guitar & vocals
Papa Mensah - Percussion & Vocals
To book Seprewa
Tel: 020 8858 9497
Jo Jo Yates
Alfred Kari Bannerman
The Seperewa belongs to a class of harp-lute chordophones typical in West Africa, with Ghana marking the easternmost area where harp-lutes are played in the region. Modern Seperewa typically have anywhere between 10 to 14 strings, set onto a standing bridge, and are connected to the neck of the instrument by winding them around it directly. They are recognisable by their square wooden box resonator, which differ from the calabash resonators of Manding harp-lutes like the kora or kamalengoni. They are either played with the thumbs, or rarely with the forefingers or bow. The sound is produced on them by setting the strings into vibration.
The Seperewa instrument, historically known as Sanku, is attested to at least the 17th century, as the then newly established Asanteman empire incorporated elements of its heavily Mande-influenced northern predecessor state Bonoman into its musical repertoire. Various harp-lutes similar to the sanku which were once exclusively played in northern Ghana (which culturally was much more heavily influenced by the Mali Empire and today is still inhabited by several Manden groups; the Ligbi, Bissa, Dyula and Wangara) eventually gave way to kologo and molo calabash-lute types instead. The harp-lute tradition since then was preserved predominantly among Akan groups in what became southern Ghana, with the only exception being the koriduo 6 string harp of the Dagari and Sisaala groups of northwestern Ghana.
King Osei Tutu, the mythical founder of the Asante empire, was said to have loved the instrument so much that his successor Opoku Ware caused a replica of it to be made in his memory. The instrument was wrapped in gold leaf, and placed among the paraphernalia of the Golden Stool, which Osei Tutu established as "the soul" of the Asante nation with the help of his counsellor, the great priest Okomfo Anokye.
The Seperewa was used to entertain kings, similar to a griot tradition followed by northern Ghanaian tribes, and was also played at palm wine bars, and at funerals. The instrument was said to speak kasa and was used either used by itself or along with song.